Turandot
Washington National Opera
“Ethan Vincent’s Chancellor made the biggest impression on Saturday, with his baritone switching effectively between bureaucratese and pent-up longing.”
-Washington Classical Review
San Diego Opera
Don Giovanni
“making his debut was the endearing and entertaining baritone Ethan Vincent as the Don’s servant Leporello, whose vocal highlight was the famed catalog aria.”
-San Diego Union Tribune
Lyric Opera of Chicago
Florencia en el Amazonas
Ethan Vincent’s Riolobo was purely “riveting” and “heightened the magical nature of the story.”
— Chicago Sun Times
Carmina Burana
Opera Philadelphia
“most spectacular, baritone Ethan Vincent whose powerful voice—and ability to actually act the role—was thrilling.”
— Phindie
La bohème
Cincinnati Opera
In a “heartwarming Bohème”, American baritone “Ethan Vincent impressed in his company debut as Schaunard, the musician.”
— Cincinnati Business Courier
More Critical Acclaim
Handel’s Messiah
Milwaukee Symphony Orchestra
“Among the delights of the evening were the present, wonderfully expressive sounds delivered by the evening’s soloist, Ethan Vincent
— Journal Sentinel
Fidelio
LA Philharmonic
“Rounding out the excellent cast of singers [was] baritone Ethan Vincent as a noble-voiced Don Fernando.”— Classical Voice
La Damnation de Faust
Boston Youth Symphony Orchestra
Vincent as Méphistophélès shows up with his magnificent baritone to charm the audience with his cynical seduction.”— Boston Intelligencer
Florencia en el Amazonas
“The character Riolobo, in this performance by Mr. Vincent is truly a bridge between stages of individuals’ development, between various stages of nature, and between individuals as thy relate to each other. From the start of the opera, Vincent’s physical agility propels his movements as he drapes himself along parts of El Dorado before the journey and during significant personal encounters while the ship is on its course. His vocal pronouncements are matched ardently to these repeated lithe movements.”— Opera Today
“Just wait until you witness the omnipresent Riolobo (baritone Ethan Vincent) and his mysterious relationship with the river and the Amazons who inhabit it!”
— Theater In Chicago
“As Riolobo, baritone Ethan Vincent is convincing as a ship’s mate who is clearly more than he presents, his pockets full of magic.” -New City Stage
— New City Stage
“It’s Riolobo (energetic and captivating baritone Ethan Vincent) who commands the stage. He’s a mystical guide of sorts, introducing us to the lore of the opera diva Florencia Grimaldi and the characters enamored with her legendary, yet long-missed, voice.”— Chicago Reader
“Moving throughout the story is the enigmatic, wild-eyed, all-seeing figure of Riolobo, the charismatic baritone Ethan Vincent.”— WTTW Theater Review
“Baritone Ethan Vincent gave an impressive performance as Riolobo, particularly when he descended from the ceiling in the guise of a river spirit with giant wings during the storm scene.”
— Opera Canada
El Niño
Cincinnati May Festival
Ethan Vincent “provided a firm baritone and expressive contributions. As Joseph, there was dramatic urgency when he confronted the pregnant Mary. His florid vocal lines, too, brought an element of drama to “Shake the Heavens
— Cincinnati Business Courier
Carmina Burana
Columbus Symphony Orchestra
Baritone Ethan Vincent – [was] the most compelling of the trio of soloists. His first appearance in “Omnia Sol temperat” was given with charismatic delivery, and subsequently, he lumbered onstage, pantomiming inebriation in “Estuans interius” – yet ultimately, his delivery bordered on a sumptuousness more fit for Puccini. His command of the wide range demanded in “Dies, nox et omnia”, however, was where he was truly a standout— Quasi-Faust
Carmina Burana
Opera Philadelphia
“Orff’s music for the baritone is equally high-flying, and Ethan Vincent met it head on. His vivid stage presence lent as much drama to the music as did his voice. Sparks flew when he sang of the villainous Abbot of Cockaigne, and hearts melted when he sang of romance.”
—Seen and Heard International
Dead Man Walking
Chicago Premier/Northwestern University
[Ethan Vincent] was the muscular, goateed, tattooed De Rocher… whose robust baritone and compellling stage presence made you understand that beneath the convict's macho-man rage and despair lurked a frightened little boy who never grew up.— Chicago Tribune